The Complete Short Stories, Volume 2 Page 9

  ‘The wood won’t burn, Emerelda. It’s all turned into glass.’ The captain stood at the foot of the bed, his peaked hat held in his hands, peering down solicitously as if he were on duty. He unzipped his leather jacket. ‘I brought you these. They’ll help you.’

  He leaned forwards, hiding something from me, and spilled several handfuls of red and blue gem-stones across the counterpane. Rubies and sapphires of many sizes, they glittered in the thin light with a feverish heat.

  ‘Shelley, thank you …’ The girl’s free hand scuttled across the counterpane to the stones. Her child-like face had become almost vulpine with greed. Seizing a handful, she brought them up to her neck and pressed them tightly against her skin, where the bruises formed like fingerprints. Their contact seemed to revive her and she stirred slowly, several of the jewels slipping to the floor.

  ‘What were you shooting at, Shelley?’ she asked after an interval. ‘There was a gun going off, it gave me a headache.’

  ‘Just an alligator, Emerelda. There are some smart alligators around here, I have to watch them. You get some rest now.’

  ‘But, Shelley, I need more of these, you only brought me a few today …’ Her hand, like a claw, searched the counterpane. Then she turned away from us and seemed to subside into sleep, the jewels lying like scarabs on the white skin of her breast.

  Captain Shelley nudged me and we stepped quietly into the kitchen. The small cubicle was almost empty, a disconnected refrigerator standing on the cold stove. Shelley opened the door and began to empty the remainder of the jewels on to the shelves, where they lay like cherries among the half-dozen cans. A light frost covered the enamel exterior of the refrigerator, as everything else in the kitchen, but the inner walls remained unaffected.

  ‘Who is she?’ I asked as Shelley prised the lid off a can. ‘Shouldn’t you try to get her away from here?’

  Shelley stared at me with his ambiguous expression. He seemed always to be concealing something, his blue eyes fractionally lowered from my own. ‘She’s my wife,’ he said with a curious emphasis, as if unsure of the fact. ‘Emerelda. She’s safer here, as long as I watch out for Marquand.’

  ‘Why should he want to hurt her? He seemed sane enough to me.’

  ‘He’s a maniac!’ Shelley said with sudden force. ‘He spent six months in a strait-jacket. He wants to take Emerelda and live in his crazy house in the middle of the swamp.’ As an afterthought, he added: ‘She was married to Marquand.’

  As we ate, forking the cold meat straight from the can, he told me of the strange melancholy architect, Charles Foster Marquand, who had designed several of the largest hotels in Miami and then two years earlier abruptly abandoned his work in disgust. He had married Emerelda, after bribing her parents, within a few hours of seeing her in an amusement park, and then carried her away to a grotesque folly he had built among the sharks and alligators in the swamp. According to Shelley he never spoke to Emerelda after the marriage ceremony, and prevented her from leaving the house or seeing anyone except a blind negro servant. Apparently he saw his bride in a sort of Pre-Raphaelite dream, caged within his house like the lost spirit of his imagination. When she finally escaped, with Captain Shelley’s assistance, he had gone berserk and spent some time as a voluntary patient at an asylum. Now he had returned with the sole ambition of returning with Emerelda to his house in the swamps, and Shelley was convinced, perhaps sincerely, that his morbid and lunatic presence was responsible for Emerelda’s lingering malaise.

  At dusk I left them, barricaded together in the white sepulchre of the summer house, and set off in the direction of the river which Shelley said was half a mile away, hoping to follow it to Maynard. With luck an army unit would be stationed at the nearest margins of the affected zone, and the soldiers would be able to retrace my steps and rescue the police captain and his dying wife.

  Shelley’s lack of hospitality did not surprise me. In turning me out into the forest he was using me as a decoy, confident that Marquand would immediately try to reach me for news of his former wife. As I made my way through the dark crystal grottos I listened for his footsteps, but the glass sheaths of the trees sung and crackled with a thousand voices as the forest cooled in the darkness. Above, through the lattices between the trees, I could see the great fractured bowl of the moon. Around me, in the vitreous walls, the reflected stars glittered like myriads of fireflies.

  At this time I noticed that my own clothes had begun to glow in the dark, the fine frost that covered my suit spangled by the starlight. Spurs of crystal grew from the dial of my wristwatch, imprisoning the hands within a medallion of moonstone.

  At midnight I reached the river, a causeway of frozen gas that might have soared high across the Milky Way. Forced to leave it when the surface broke into a succession of giant cataracts, I approached the outskirts of Maynard, passing the mobile laboratory used by the Department of Agriculture. The trailer, and the tables and the equipment scattered around it had been enveloped by the intense frost, and the branches in the centrifuge had blossomed again into brilliant jewelled sprays. I picked up a discarded helmet, now a glass porcupine, and drove it through a window of the trailer.

  In the darkness the white-roofed houses of the town gleamed like the funerary temples of a necropolis, their cornices ornamented with countless spires and gargoyles, linked together across the roads by the expanding tracery. A frozen wind moved through the streets, which were waist-high forests of fossil spurs, the abandoned cars embedded within them like armoured saurians on an ancient ocean floor.

  Everywhere the process of transformation was accelerating. My feet were encased in huge crystal slippers. It was these long spurs which enabled me to walk along the street, but soon they would fuse together and lock me to the ground.

  The eastern entrance to the town was sealed by the forest and the erupting roadway. Limping westwards again, in the hope of returning to Captain Shelley, I passed a small section of the sidewalk that remained clear of all growth, below the broken window of a jewellery store. Handfuls of looted stones were scattered across the pavement, ruby and emerald rings, topaz brooches and pendants, intermingled with countless smaller stones and industrial diamonds that glittered coldly in the starlight.

  As I stood among the stones I noticed that the crystal outgrowths from my shoes were dissolving and melting, like icicles exposed to sudden heat. Pieces of the crust fell away and slowly deliquesced, vanishing without trace into the air.

  Then I realized why Captain Shelley had brought the jewels to his wife, and why she had seized upon them so eagerly. By some optical or electromagnetic freak, the intense focus of light within the stones simultaneously produced a compression of time, so that the discharge of light from the surfaces reversed the process of crystallization. (Perhaps it is this gift of time which accounts for the eternal appeal of precious gems, as well as of all baroque painting and architecture? Their intricate crests and cartouches, occupying more than their own volume of space, so contain a greater ambient time, providing that unmistakable premonition of immortality sensed within St Peter’s or the palace at Nymphenburg. By contrast the architecture of the 20th century, characteristically one of rectangular unornamented facades, of simple Euclidean space and time, is that of the New World, confident of its firm footing in the future and indifferent to those pangs of mortality which haunt the mind of old Europe.)

  Quickly I knelt down and filled my pockets with the stones, cramming them into my shirt and cuffs. I sat back against the store front, the semi-circle of smooth pavement like a miniature patio, at whose edges the crystal undergrowth glittered like a spectral garden. Pressed to my cold skin, the hard faces of the jewels seemed to warm me, and within a few seconds I fell into an exhausted sleep.

  I woke into brilliant sunshine in a street of temples, a thousand rainbows spangling the gilded air with a blaze of prismatic colours. Shielding my eyes, I lay back and looked up at the roof-tops, their gold tiles apparently inlaid with thousands of coloured gems, like t
he temple quarter of Bangkok.

  A hand pulled roughly at my shoulder. Trying to sit up, I found that the semicircle of clear sidewalk had vanished, and my body lay sprawled on a bed of sprouting needles. The growth had been most rapid in the entrance to the store, and my right arm was encased in a mass of crystalline spurs, three or four inches long, that reached almost to my shoulder. My hand was sheathed in a huge frozen gauntlet of prismatic crystals, almost too heavy to lift, my fingers outlined by a rainbow of colours.

  Overwhelmed by panic, I managed to drag myself on to my knees, and found the bearded man in the white suit crouching behind me, his shot-gun in his hands.

  ‘Marquand!’ With a cry, I raised my jewelled arm. ‘For God’s sake!’

  My voice distracted him from his scrutiny of the light-filled street. His lean face with its small bright eyes was transfigured by strange colours that mottled his skin and drew out the livid blues and violets of his beard. His suit radiated a thousand bands of colour.

  He moved towards me but before he could speak there was a roar of gunfire and the glass sheet encrusted to the doorway shattered into a shower of crystals. Marquand flinched and hid behind me, then pulled me backwards through the window. As another shot was fired down the street we stumbled past the looted counters into an office where the door of a safe stood open on to a jumble of metal cash boxes. Marquand snapped back the lids on to the empty trays, and then began to scoop together the few jewels scattered across the floor.

  Stuffing them into my empty pockets, he pulled me through a window into the rear alley, and from there into the adjacent street, transformed by the overhead lattices into a tunnel of crimson and vermilion light. We stopped at the first turning, and he beckoned to the glistening forest fifty yards away.

  ‘Run, run! Anywhere through the forest, it’s all you can do!’

  He pushed me forwards with the butt of his shot-gun, whose breach was now encrusted by a mass of silver crystals, like a medieval flintlock. I raised my arm helplessly. In the sunlight the jewelled spurs coruscated like a swarm of coloured fireflies. ‘My arm, Marquand! It’s reached my shoulder!’

  ‘Run! Nothing else can help you!’ His illuminated face flickered angrily. ‘Don’t waste the stones, they won’t last you for ever!’

  Forcing myself to run, I set off towards the forest, where I entered the first of the caves of light. I whirled my arm like a clumsy propeller, and felt the crystals recede slightly. By luck I soon reached a tributary of the river, and hurled myself like a wild man along its petrified surface.

  For many hours, or days, I raced through the forest I can no longer remember, for all sense of time deserted me. If I stopped for more than a minute the crystal bands would seize my neck and shoulder, and I ran past the trees for hour after hour, only pausing when I slumped exhausted on the glass beaches. Then I pressed the jewels to my face, warding off the glacé sheath. But their power slowly faded, and as their facets blunted they turned into nodes of unpolished silica.

  Once, as I ran through the darkness, my arm whirling before me, I passed the summer house where Captain Shelley kept guard over his dying wife, and heard him fire at me from the veranda.

  At last, late one afternoon, when the deepening ruby light of dusk settled through the forest, I entered a small clearing where the deep sounds of an organ reverberated among the trees. In the centre was a small church, its gilt spire fused to the surrounding trees.

  Raising my jewelled arm, I drove back the oak doors and entered the nave. Above me, refracted by the stained glass windows, a brilliant glow of light poured down upon the altar. Listening to the surging music, I leaned against the altar rail and extended my arm to the gold cross set with rubies and emeralds. Immediately the sheath slipped and dissolved like a melting sleeve of ice. As the crystals deliquesced the light poured from my arm like an overflowing fountain.

  Turning his head to watch me, the priest sat at the organ, his firm hands drawing from the pipes their great unbroken music, which soared away, interweaved by countless overtones, through the panels of the windows towards the dismembered sun.

  Life, like a dome of many-coloured glass,

  Stains the white radiance of eternity.

  For the next week I stayed with him, as the last crystal spurs dissolved from the tissues of my arm. All day I knelt beside him, working the bellows of the organ with my arm as the Pelestrina and Bach echoed around us. At dusk, when the sun sank in a thousand fragments into the western night, he would break off and stand on the porch, looking out at the spectral trees.

  I remembered him as Dr Thomas, the priest Captain Shelley had driven to the harbour. His slim scholar’s face and calm eyes, their serenity belied by the nervous movements of his hands, like the false calm of someone recovering from an attack of fever, would gaze at me as we ate our small supper on a foot-stool beside the altar, sheltered from the cold all-embalming wind by the jewels in the cross. At first I thought he regarded my survival as an example of the Almighty’s intervention, and I made some token expression of gratitude. At this he smiled ambiguously.

  Why he had returned I did not try to guess. By now his church was surrounded on all sides by the crystal trellises, as if overtopped by the mouth of an immense glacier.

  One morning he found a blind snake, its eyes transformed into enormous jewels, searching hesitantly at the door of the porch, and carried it in his hands to the altar. He watched it with a wry smile when, its sight returned, it slid away noiselessly among the pews.

  On another day I woke to the early morning light and found him, alone, celebrating the Eucharist. He stopped, half-embarrassed, and over breakfast confided: ‘You probably wonder what I was doing, but it seemed an appropriate moment to test the validity of the sacrament.’ He gestured at the prismatic colours pouring through the stained glass windows, whose original scriptural scenes had been transformed into paintings of bewildering abstract beauty. ‘It may sound heretical to say so, but the body of Christ is with us everywhere here – in each prism and rainbow, in the ten thousand faces of the sun.’ He raised his thin hands, jewelled by the light. ‘So you see, I fear that the church, like its symbol –’ here he pointed to the cross ‘– may have outlived its function.’

  I searched for an answer. ‘I’m sorry. Perhaps if you left here –’

  ‘No!’ he insisted, annoyed by my obtuseness. ‘Can’t you understand? Once I was a true apostate – I knew God existed but could not believe in him. Now,’ he laughed bitterly, ‘events have overtaken me.’

  With a gesture he led me down the nave to the open porch, and pointed up to the dome-shaped lattice of crystal beams which reached from the rim of the forest like the buttresses of an immense cupola of diamond and glass. Embedded at various points were the almost motionless forms of birds with outstretched wings, golden orioles and scarlet macaws, shedding brilliant pools of light. The bands of liquid colour rippled outwards through the forest, the reflections of the melting plumage enveloping us in endless concentric patterns. The overlapping arcs hung in the air like the votive windows of a city of cathedrals. Everywhere around us I could see countless smaller birds, butterflies and insects, joining their miniature haloes to the coronation of the forest.

  He took my arm. ‘Here in this forest everything is transfigured and illuminated, joined together in the last marriage of time and space.’

  Towards the end, when we stood side by side with our backs to the altar, as the aisle transformed itself into an occluding tunnel of glass pillars, his conviction seemed to fail him. With an expression almost of panic he watched the keys of the organ manuals frosting like the coins of a bursting coffer, and I knew that he was searching for some means of escape.

  Then at last he rallied, seized the cross from the altar and pressed it into my arms, with a sudden anger born of absolute certainty dragged me roughly to the porch and propelled me to one of the narrowing vaults.

  ‘Go! Get away from here! Find the river!’

  When I hesitated, the h
eavy sceptre weighing upon my arms, he shouted fiercely: ‘Tell them I ordered you to take it!’

  I last saw him standing arms outstretched to the approaching walls, in the posture of the illuminated birds, his eyes filled with wonder and relief at the first circles of light conjured from his upraised palms.

  Struggling with the huge golden incubus of the cross, I made my way towards the river, my tottering figure reflected in the hanging mirrors of the spanish moss like a lost Simon of Cyrene pictured in a medieval manuscript.

  I was still sheltering behind it when I reached Captain Shelley’s summer house. The door was open, and I looked down at the bed in the centre of a huge fractured jewel, in whose frosted depths, like swimmers asleep on the bottom of an enchanted pool, Emerelda and her husband lay together. The Captain’s eyes were closed, and the delicate petals of a blood-red rose blossomed from the hole in his breast like an exquisite marine plant. Beside him Emerelda slept serenely, the unseen motion of her heart sheathing her body in a faint amber glow, the palest residue of life.

  Something glittered in the dusk behind me. I turned to see a brilliant chimera, a man with incandescent arms and chest, race past among the trees, a cascade of particles diffusing in the air behind him. I flinched back behind the cross, but he vanished as suddenly as he had appeared, whirling himself away among the crystal vaults. As his luminous wake faded I heard his voice echoing across the frosted air, the plaintive words jewelled and ornamented like everything else in that transmogrified world.

  ‘Emerelda …! Emerelda …!’

  Here on this calm island of Puerto Rico, in the garden of the British Embassy these few months later, the strange events of that phantasmagoric forest seem a dozen worlds away. Yet in fact I am no more than 1,000 miles from Florida as the crow (or should I say, the gryphon) flies, and already there have been numerous other outbreaks at many times this distance from the three focal areas. Somewhere I have seen a report that at the present rate of progress at least a third of the earth’s surface will be affected by the end of the next decade, and a score of the world’s capital cities petrified beneath layers of prismatic crystal, as Miami has already been – some reporters have described the abandoned resort as a city of a thousand cathedral spires, like a vision of St John the Divine.