Empire of the Sun Page 31

  Jim climbed through the fence and ran down the cinder track to the camp hospital. Men with spades stood in the cemetery, shielding their eyes from the unfamiliar daylight. Had they dug themselves free from their own graves? As he neared the steps of the hospital Jim tried to control his trembling. The bamboo doors opened and a swarm of flies fled through the air, their feast-days done. Brushing them from his face, over which he wore a green surgical mask, was a red-haired man in a new American uniform. In his hand he carried an insecticide bomb.

  ‘Dr Ransome…!’ Jim spat the blood from his mouth and ran up the rotting steps. ‘You came back, Dr Ransome! It’s all right, everyone’s coming back! I’m going to get Mrs Vincent…!’

  He stepped past Dr Ransome into the dark, but the physician’s hands gripped his shoulders.

  ‘Hold on, Jim…I thought you might be here.’ He removed his mask and pressed Jim’s head to his chest, inspecting the boy’s gums and ignoring the blood that stained the crisp fabric of his US Army shirt. ‘Your parents are waiting for you, Jim. Poor fellow, you’ll never believe the war is over.’

  Part IV

  42

  The Terrible City

  Two months later, on the eve of his departure for England, Jim remembered Dr Ransome’s words as he walked down the gangway of the SS Arrawa and stepped on to Chinese soil for the last time. Dressed in a silk shirt and tie, and a grey flannel suit from the Sincere Company’s department store, Jim waited politely for an elderly English couple to make their way down the wooden ramp. Below them was the Shanghai Bund, and all the clamour of the gaudy night. Thousands of Chinese filled the concourse, jostling among the trams and limousines, the jeeps and trucks of the US military, and a horde of rickshaws and pedicabs. Together they watched the British and American servicemen moving in and out of the hotels along the Bund. At the jetties beside the Arrawa, hidden below its stern and bows, American sailors came ashore from the cruiser moored in mid-river. As they stepped from their landing craft the Chinese surged forward, gangs of pickpockets and pedicab drivers, prostitutes and bar-touts, vendors hawking bottles of home-brew Johnny Walker, gold dealers and opium traders, the evening citizenry of Shanghai in all its black silk, fox fur and flash. The young American sailors pushed past the sampan men and shouting military police. They tried to stay together and fight off the crowd so eager to welcome them to China. But before they reached the first set of tram-tracks down the centre of the Bund they were swept away in a convoy of pedicabs, their arms around the bar-girls screaming obscenities at the sleek Chinese pimps in their pre-war Packards, down from the blocks in the back-alley garages of the Nanking Road.

  Dominating this panorama of the Shanghai night were three cinema screens which had been set up on scaffolding along the Bund. In collaboration with the US Navy, the Nationalist general who was the military governor of the city had arranged this continuous screening of newsreels from the European and Pacific theatres, in order to give the population of Shanghai a glimpse of the world war that had recently ended.

  Jim cleared the last step of the swaying gangway, and looking up at the trembling images, which were barely strong enough to hold their own against the neon signs and strip lighting on the hotel and nightclub façades. Fragments of their amplified sound-tracks boomed like guns over the roar of the traffic. He had begun the war watching the newsreels in the crypt of Shanghai Cathedral, and was now ending it below the same repetitive images – Russian machine-gunners advanced through the ruins of Stalingrad, US marines turned their flame-throwers on the Japanese defenders of a Pacific island, RAF fighters strafed an ammunition train in a German railyard. Promptly at ten-minute intervals, Chinese characters filled the screens, and vast Kuomintang armies saluted the victorious Generalissimo Chiang on his reviewing podium in Nanking. The only forces not to be celebrated were the Chinese communists, but they had been cleared out of Shanghai and the coastal cities. Whatever contribution their troops had made to the Allied victory had long been discounted, lost under the layers of newsreels that had imposed their own truth upon the war.

  During the two months since his return to Amherst Avenue, Jim often visited the reopened cinemas in Shanghai. His parents recovered only slowly from their years of imprisonment in the camp at Soochow, and Jim had ample time to tour Shanghai. After calling at the White Russian dentist in the French Concession, he would order Yang to drive him in the Lincoln Zephyr to the Grand or the Cathay, those vast and cool palaces where he sat in the front row of the circle and watched yet another screening of Bataan and The Fighting Lady.

  Yang was puzzled why Jim should want to see these films so many times. In turn Jim wondered how Yang himself had spent the years of the war – as a valet to a Chinese puppet general, as an interpreter for the Japanese, or as a Kuomintang agent working on the side for the communists? On the day of his parents’ arrival Yang had appeared with the limousine, promptly sold the car to Jim’s father and reenrolled himself as its chauffeur. Yang was already performing in small roles in two productions of the renascent Shanghai film studios. Jim suspected that while he sat through another double feature at the Cathay Theatre the car was being rented out as a film prop.

  These Hollywood movies, like the newsreels projected above the crowds on the Bund, endlessly fascinated Jim. After the dental work to his jaw, and the healing of the wound in his palate, he soon began to put on weight. Alone at the dining-room table, he ate large meals by day, and at night slept peacefully in his bedroom on the top floor of the unreal house in Amherst Avenue, which had once been his home but now seemed as much an illusion as the sets of the Shanghai film studios.

  During his days at Amherst Avenue he often thought of his cubicle in the Vincent’s room at the camp. At the end of October he ordered the unenthusiastic Yang to drive him to Lunghua. They set off through the western suburbs of Shanghai, and soon reached the first of the fortified checkpoints that guarded the entrances to the city. The Nationalist soldiers in their American tanks were turning back hundreds of destitute peasants, without rice or land to crop, trying to find refuge in Shanghai. Shanty towns of mud dwellings, walls reinforced with truck tyres and kerosene drums, covered the fields near the burnt-out Olympic stadium at Nantao. Smoke still rose from the stands, a beacon used by the American pilots flying across the China Sea from their bases in Japan and Okinawa.

  As they drove along the perimeter road, Jim stared at Lunghua Airfield, now a dream of flight. Dozens of US Navy and Air Force planes sat on the grass, factory-new fighters and chromium-sheathed transport aircraft that seemed to be waiting delivery to a show-room window in the Nanking Road.

  Jim expected to see Lunghua Camp deserted, but far from being abandoned the former prison was busy again, fresh barbed wire strung along its fences. Although the war had been over for nearly three months, more than a hundred British nationals were still living in the closely guarded compound. Entire families had taken over the former dormitories in E Block, in which they had built suites of rooms within walls of American ration cartons, parachute canisters and bales of unread Reader’s Digests. When Jim, searching for Basie’s cubicle, tried to pull one of the magazines from its makeshift wall he was brusquely warned away.

  Leaving the inmates to their treasure, he signalled Yang to drive on to G Block. The Vincents’ room was now the quarters of a Chinese amah working for the British couple across the corridor. She refused to admit Jim, or open the door more than a crack, and he returned to the Lincoln and ordered Yang on a last circuit of the camp.

  The hospital and the camp cemetery had vanished, and the site was an open tract of ash and cinders, from which a few charred joists protruded. The graves had been carefully levelled, as if a series of tennis courts was about to be laid. Jim walked through the empty drums of kerosene which had fuelled the fire. He gazed through the wire at the airfield, and at the concrete runway pointing to Lunghua Pagoda. Dense vegetation covered the wrecks of the Japanese aircraft. As he stood by the wire, tracing the course of the canal through the
narrow valley, an American bomber swept across the camp. For a moment, reflected from the underside of its silver wings, a pale light raced like a wraith between the nettles and stunted willows.

  While Yang drove uneasily back to Amherst Avenue, annoyed in some way by the visit to Lunghua, Jim thought of the last weeks of the war. Towards the end everything had become a little muddled. He had been starving and perhaps had gone slightly mad. Yet he knew that he had seen the flash of the atomic bomb at Nagasaki even across the four hundred miles of the China Sea. More important, he had seen the start of World War III, and realized that it was taking place around him. The crowds watching the newsreels on the Bund had failed to grasp that these were the trailers for a war that had already started. One day there would be no more newsreels.

  In the weeks before he and his mother sailed to England in the Arrawa, Jim often thought of the young Japanese pilot he had seemed to raise from the dead. He was not sure now that this was the same pilot who had fed him the mango. Probably the youth had been dying, and Jim’s movements in the grass had woken him. All the same, certain events had taken place, and with more time perhaps others would have returned to life. Mrs Vincent and her husband had died on the march from the stadium, far from Shanghai in a small village to the south-west. But Jim might have helped the prisoners in the camp hospital. As for Basie, had he died during his attack on the stadium, within sight of the gilded nymphs in the Presidential stand? Or were he and Lieutenant Price still roving the landscape of the Yangtze in the puppet general’s Buick, waiting for a third war to bring them into their own?

  Jim had told his parents nothing of all this. Nor had he confided in Dr Ransome, who clearly suspected that Jim had chosen to stay on at Lunghua after the armistice, playing his games of war and death. Jim remembered his return to the house in Amherst Avenue, and his mother and father smiling weakly from their deck-chairs in the garden. Beside the drained swimming-pool the untended grass grew around their shoulders, and reminded him of the bowers of nettles in which the dead Japanese airmen had lain. As Dr Ransome stood formally on the terrace in his American uniform, Jim had wanted to explain to his parents everything that he and the doctor had done together, but his mother and father had been through their own war. For all their affection for him, they seemed older and far away.

  Jim walked across the quay from the Arrawa, looking up at the newsreels projected above the evening crowd. The second of the screens, in front of the Palace Hotel, was now blank, its images of tank battles and saluting armies replaced by a rectangle of silver light that hung in the night air, a window into another universe.

  As the army technicians on their tower of scaffolding repaired the projector, Jim walked across the tramlines towards the screen. Noticing it for the first time, the Chinese stopped to look up at the white rectangle. Jim brushed the sleeve of his jacket as a rickshaw coolie blundered into him, pulling two bar-girls in fur coats. Their powdered faces were lit like masks by the weird glimmer.

  However, the heads of the Chinese were already turning to another spectacle. A crowd had gathered below the steps of the Shanghai Club. A group of American and British sailors had emerged through the revolving doors and stood on the top step, arguing with each other and waving drunkenly at the cruiser moored by the Bund. The Chinese watched as they formed a chorus line. Provoked by their curious but silent audience, the sailors began to jeer at the Chinese. At a signal from an older sailor, the men unbuttoned their bell-bottomed trousers and urinated down the steps.

  Fifty feet below them, the Chinese watched without comment as the arcs of urine formed a foaming stream that ran down to the street. When it reached the pavement the Chinese stepped back, their faces expressionless. Jim glanced at the people around him, the clerks and coolies and peasant women, well aware of what they were thinking. One day China would punish the rest of the world, and take a frightening revenge.

  The army projectionists had rewound their film, and an air battle started again over the heads of the crowds. As the sailors were carried away in a convoy of rickshaws, Jim walked back to the Arrawa. His parents were resting in the passenger saloon on the upper deck, and Jim wanted to spend a last evening with his father before he and his mother sailed for England the next day.

  He stepped on to the gangway, conscious that he was probably leaving Shanghai for the last time, setting out for a small, strange country on the other side of the world which he had never visited, but which was nominally ‘home’. Yet only part of his mind would leave Shanghai. The rest would remain there forever, returning on the tide like the coffins launched from the funeral piers at Nantao.

  Below the bows of the Arrawa a child’s coffin moved on to the night stream. Its paper flowers were shaken loose by the wash of a landing-craft carrying sailors from the American cruiser. The flowers formed a wavering garland around the coffin as it began its long journey to the estuary of the Yangtze, only to be swept back by the incoming tide among the quays and mud-flats, driven once again to the shores of this terrible city.

  P.S.

  Ideas, interviews & features…

  About the author

  An Investigative Spirit

  Travis Elborough talks to J.G. Ballard

  IN SEVERAL OF your novels you have used a small community, the residents of a luxury housing development or a high-rise block for example, as a microcosm with which to explore the fragility of civil society. Do you think that your preoccupation with social regression, de-evolution even, stems from your childhood experiences in the internment camp when you saw, first hand, how easily the veneer of civilization could slip away?

  Yes, I think it does; although anyone who has experienced a war first hand knows that it completely overturns every conventional idea of what makes up day-to-day reality. You never feel quite the same again. It’s like walking away from a plane crash; the world changes for you forever. The experience of spending nearly three years in a camp, especially as an early teenage boy, taking a keen interest in the behaviour of adults around him, including his own parents, and seeing them stripped of all the garments of authority that protect adults generally in their dealings with children, to see them stripped of any kind of defence, often losing heart a bit, being humiliated and frightened – and we all felt the war was going to go on forever and heaven knows what might happen in the final stages – all of that was a remarkable education. It was unique, and it gave me a tremendous insight into what makes up human behaviour.

  You’ve written that the landscape of even your first novel, The Drowned World, a futuristic portrait of a flooded twenty-first-century London, was clearly informed by your memories of Shanghai. I wondered if you could say a little about how, after having possibly explored it obliquely in your works of science fiction, you came to write so directly about your childhood experiences in Empire of the Sun?

  ‘Anyone who has experienced a war first hand knows that it completely overturns every conventional idea of what makes up day-to-day reality. It’s like walking away from a plane crash.’

  I had always planned to write about my experiences of the Second World War, Shanghai under the Japanese and the camp. I knew that it was such an important event, and not just for me. But when I came to England in 1946 I had to face the huge problem of adjusting to life here. England in those days was a very, very strange place. There was an elaborate class system that I’d never come across in Shanghai. England…it was a terribly shabby place, you know, locked into the past and absolutely exhausted by the war. It was only on a technicality that we could be said to have won the war; in many ways we’d lost it. Financially we were desperate. I had to cope with all this. By 1949 the Communists had taken over China and I knew I would never go back. So there seemed no point in keeping those memories alive, I felt I had to come to terms with life in England. This is, after all, where I was educated. I got married and began my career as a writer.

  England interested me. It seemed to be a sort of disaster area. It was a subject and a disaster in its own
right. I was interested in change, which I could see was coming in a big way, everything from supermarkets to jet travel, television and the consumer society. I remember thinking, my God, these things will bring change to England and reveal the strange psychology of these tormented people.

  So I began writing science fiction, although most readers of science fiction did not consider me to be a science fiction writer. They saw me as an interloper, a sort of virus that had got into the cell of science fiction, entered its nucleus and destroyed it. But all this while I could see bits of my China past floating up and I knew I was going to write it up at some point.

  You have to remember that an enormous period of time had elapsed between the publication of Empire of the Sun in 1984 and my time in the camp, some forty-odd years. And I think partly this was because I had children of my own. I didn’t want to expose them to the kind of experiences that I had had. Once my children had grown up, I thought, well, if I don’t write this book now I am going to forget it. So in about 1982 or something, I thought, now is the time. Of course the act of writing it brought back a huge flood of memories. I don’t want to over glamorize my wartime experience. It was pretty awful. My parents had much harsher memories of it than I did. Teenage children, especially if they are with their parents or other adults, tend to be unaware of the dangers they are in. They get by on very little food, they live for the excitement of the camp, and to some extent I’d suppressed all that.

  One of the most significant differences between Empire of the Sun and your own life is that in the novel Jim is separated from his parents, while you were interned with your family. Your relationship with your parents appears to have been difficult; you’ve written that there was ‘an estrangement between my parents and myself that lasted all my life’. By making Jim parentless, were you in fictional form perhaps giving expression to that estrangement?